Thursday, December 29, 2022

10 Ways How James Cameron's AVATAR Movies Pays Tribute (and perhaps Appropriates) Hinduism

The Avatar film franchise is most definitely a tractate on Hinduism and for Hindus. But even during the release of the first film in 2009, scholars were divided on the treatment of Hinduism-inspired themes. On the one hand, director-writer James Cameron himself has publicly stated, "I have just loved the mythology. The entire Hindu pantheon seems so rich and vivid," before adding, "I didn't want to reference the Hindu religion so closely, but the subconscious association was interesting, and I hope I haven't offended anyone in doing so." On the other hand, some critics have claimed the film franchise has appropriated Hindu teachings. Here are a few ways the film has both paid tribute and perhaps even unintentionally appropriated the oldest practicing religion in the world. 

Source: Google Images


1. The very word 'Avatar' itself

In a 2007 interview with Time magazine, Cameron defined an avatar as, "an incarnation of one of the Hindu gods taking a flesh form." That is not inaccurate at all. However, in the films, it is regular human beings who are technically reincarnated when their intelligence is remotely relocated into a new body through advanced technology. Although some critics may argue the films completely reverses the very concept of avatars, they are clearly overlooking another Hindu concept known as Parakaya Pravesha – where humans can leave their body temporarily and enter the body of another like the time Adi Shankaracharya entered the body of a king to learn about material world. Also, anyone who grew up worshipping the most popular avatars of Hindu deities would have quickly noticed how familiar the Na'vi, and particularly the protagonist Na'vi form, is; which brings us to our next point. 

Source: Google Images


2. Jake Sully's visual and story representation

Story wise, Sully's character arc in the first film is not very different from that of the heroes of Hindu epics who are reincarnated as one of the people to save them from chaos. Visually too, the Na'vi's blue skin, long hair and forehead markings all seem inspired by the traditional way Hindu figures such as Rama and Krishna have been represented. In an interview, Cameron once admitted, "I just like blue. It's a good color. Plus, there's a connection to the Hindu deities, which I like conceptually." Furthermore, in his original human form, Jakes Sully looks like any other white man. But many commentators have pointed out that as a Na'vi riding a winged-raptor next to Neytiri, the pair bear a striking resemblance to the lord protector Vishnu and the goddess Lakshmi riding the Garuda, which leads us to the next point. 

Source: Google Images


3. The Mother Goddess and tree-worship

Just like how Hindus have a Mother Goddess, the Na'vi have a female deity in Eywa which they connect to through the Tree of Souls. Hindus also worship God through certain plants and trees, the most popular being the holy basil. It is regarded as an earthly manifestation of Tulasi, an avatar of goddess Lakshmi, and thus the consort of Vishnu. However, the Hometree in the films seem more similar to a Banyan tree with its hollow vessels that  allow the Na’vi to inhabit them. The Banyan tree is not only sacred to Hindus but also Buddhists since Buddha is said to have reached his higher sense of enlightenment while meditating under a Banyan tree. 

Source: Google Images


4. The connection between the soul and nature

The Na'vi ability to connect to not just Eywa but the nature surrounding them is oddly similar to the Hindu concept of Atman. In Hinduism, the physical body is nothing more than a living vehicle between reincarnation transcendental state. The ultimate state of consciousness and connectedness with the higher self is located within ones spiritual subconscious of Atman which fuels both animate and inanimate objects throughout the universe. The Na’vi’s natural ability to directly tap into their natural surroundings' network system allows them to physically connect with Eywa’s sense of oneness, like Brahma. This system allows for the transferal of conscious minds and exchange from one entity to another through a collective psionic conscience not unlike the one that is mentioned in Hinduism. 

Source: Google Images


5. Amrita: the elixir of immortality

Amrita, the honey-like extracted from Tulkun brains is said to have anti-aging properties that are sold at a very high price on Earth. Just like the mineral Unobtanium, Amrita is another substance that serves as the reason humans wish to colonise Pandora. According to Hindu scriptures, Amrita is the celestial nectar that the deities and demons churned from the celestial ocean that grants them the intelligence to create immortality. It is worth noting that because this nectar is sought after by both good and evil celestial beings, it has become one of the main confrontations between the two.

Source: Google Images


6. The birth of Kiri


There is still a lot of unanswered questions regarding Kiri. For one, she is born to Grace's Na'vi avatar postmortem. Unlike the other Na'vi, she has unique abilities. Since she has no living relatives on Pandora, she was adopted by the Sullies. In multiple Hindu stories, the deity Vishnu reincarnated as a human by descending into the womb of a woman to help mankind. One popular fan theory is that the mother goddess Eywa has reincarnated Herself in Na'vi form to help Her people fight the human invaders.   

Source: Google Images


7. "I see you"

The Hindu way of greeting one another is by saying "Namaskaram" which means, "the divinity within me acknowledges the divinity within you." This is not that different from the way the Na'vi say, "I see you" to one another. This way of greeting has become even more fashionable nowadays in this era of physical distancing. It holds much more meaning than a simple ‘hi’ or ‘hello’. 

Source: Google Images


8. The colonization of Bharath

Even though not directly linked to Hinduism per say, the films surely draw parallels between the corporate imperialism of the RDA over Pandora and its historical equivalent in India. The privately-run East India Company had its own army that imposed profit-driven territorial sovereignty over the people Bharath by sometimes undermining the native's religions. James Cameron acknowledges how the films are "certainly about imperialism in the sense that the way human history has always worked is that people with more military or technological might tend to supplant or destroy people who are weaker, usually for their resources." Despite its anti-imperialist agenda, the first film seen by many critics as a white saviour narrative where the indigenous people were always reduced to supporting characters in which white people were either the cruel imperialists of benevolent ones.

Source: Google Images


10. Adharma running supreme 

"It is said that great minds think alike in all ages. The great saints of Sanatana Dharma (Hinduism) thought about this 5000 years ago and they tried to explain it to us through symbols and stories. Today we have technology explain the universal truths. But are we listening? We are slowly wiping out the green cover and destroying the Mother Earth thinking that we humans are superior and above all. But what Avatar missed is foreseen by Hindu seers the total annihilation of human race when there is rise of Adharma (today it is unimaginable greed and lack of concern for mother earth). We are fast heading towards such a situation and this divine action will be carried out by Kalki. Then there is a fresh beginning. The cycle continues and this present age is not the first cycle and it is not the last."

Source: Google Images

Monday, December 26, 2022

MONSTER, A RESIDENTIAL SCHOOL EXPERIENCE By Dennis Saddleman

I HATE YOU RESIDENTIAL SCHOOL

I HATE YOU

YOU’RE A MONSTER

A HUGE HUNGRY MONSTER

BUILT WITH STEEL BONES           5

BUILT WITH CEMENT FLESH

YOU’RE A MONSTER

BUILT TO DEVOUR

INNOCENT NATIVE CHILDREN

YOU’RE A COLD-HEARTED MONSTER       10

COLD AS THE CEMENT FLOORS

YOU HAVE NO LOVE

NO GENTLE ATMOSPHERE

YOUR UGLY FACE GROOVED WITH RED BRICKS

YOUR MONSTER EYES GLARE           15

FROM GRIMY WINDOWS

MONSTER EYES SO EVIL

MONSTER EYES WATCHING

TERRIFIED CHILDREN

COWER WITH SHAME           20

I HATE YOU RESIDENTIAL SCHOOL I HATE YOU

YOU’RE A SLIMY MONSTER

OOZING IN THE SHADOWS OF MY PAST

GO AWAY LEAVE ME ALONE

YOU’RE FOLLOWING ME FOLLOWING ME WHEREVER I GO     25

YOU’RE IN MY DREAMS IN MY MEMORIES

GO AWAY MONSTER GO AWAY

I HATE YOU YOU’RE FOLLOWING ME

I HATE YOU RESIDENTIAL SCHOOL I HATE YOU

YOU’RE A MONSTER WITH HUGE WATERY MOUTH     30

MOUTH OF DOUBLE DOORS

YOUR WIDE MOUTH TOOK ME

YOUR YELLOW STAINED TEETH CHEWED

THE INDIAN OUT OF ME

YOUR TEETH CRUNCHED MY LANGUAGE       35

GRINDED MY RITUALS AND MY TRADITIONS

YOUR TASTE BUDS BECAME BITTER

WHEN YOU TASTED MY RED SKIN

YOU SWALLOWED ME WITH DISGUST

YOUR FACE WRINKLED WHEN YOU         40


TASTED MY STRONG PRIDE                                               2

I HATE YOU RESIDENTIAL SCHOOL I HATE YOU

YOU’RE A MONSTER

YOUR THROAT MUSCLES FORCED ME

DOWN TO YOUR STOMACH       45

YOUR THROAT MUSCLES SQUEEZED MY HAPPINESS

SQUEEZED MY DREAMS

SQUEEZED MY NATIVE VOICE

YOUR THROAT BECAME CLOGGED WITH MY SACRED SPIRIT

YOU COUGHED AND YOU CHOKED       50

FOR YOU CANNOT WITH STAND MY

SPIRITUAL SONGS AND DANCES

I HATE YOU RESIDENTIAL SCHOOL I HATE YOU

YOU’RE A MONSTER

YOUR STOMACH UPSET EVERY TIME I WET MY BED     55

YOUR STOMACH RUMBLED WITH ANGER

EVERY TIME I FELL ASLEEP IN CHURCH


Your stomach growled at me every time I broke the school rules

Your stomach was full You burped

You felt satisfied You rubbed your belly and you didn’t care       60

You didn’t care how you ate up my native Culture

You didn’t care if you were messy

if you were piggy

You didn’t care as long as you ate up my Indianness

I hate you Residential School I hate you           65

You’re a monster

Your veins clotted with cruelty and torture

Your blood poisoned with loneliness and despair

Your heart was cold it pumped fear into me

I hate you Residential School I hate you           70

You’re a monster

Your intestines turned me into foul entrails

Your anal squeezed me

squeezed my confidence

squeezed my self respect           75

Your anal squeezed

then you dumped me

Dumped me without parental skills

without life skills

Dumped me without any form of character       80

without individual talents

without a hope for success


I hate you Residential School I hate you                              3

You’re a monster

You dumped me in the toilet then       85

You flushed out my good nature

my personalities

I hate you Residential School I hate you

You’re a monster………I hate hate hate you

Thirty three years later         90

I rode my chevy pony to Kamloops

From the highway I saw the monster

My Gawd! The monster is still alive

I hesitated I wanted to drive on

but something told me to stop     95

I parked in front of the Residential School

in front of the monster

The monster saw me and it stared at me

The monster saw me and I stared back

We both never said anything for a long time       100

Finally with a lump in my throat

I said, “Monster I forgive you.”

The monster broke into tears

The monster cried and cried

His huge shoulders shook          105

He motioned for me to come forward

He asked me to sit on his lappy stairs

The monster spoke

You know I didn’t like my Government Father

I didn’t like my Catholic Church Mother           110

I’m glad the Native People adopted me

They took me as one of their own

They fixed me up Repaired my mouth of double doors

Washed my window eyes with cedar and fir boughs

They cleansed me with sage and sweetgrass         115

Now my good spirit lives

The Native People let me stay on their land

They could of burnt me you know instead they let me live

so People can come here to school restore or learn about their culture

The monster said, “I’m glad the Native People gave me another chance     120

I’m glad Dennis you gave me another chance

The monster smiled

I stood up I told the monster I must go


Ahead of me is my life. My people are waiting for me                   4

I was at the door of my chevy pony         125

The monster spoke, “Hey you forgot something

I turned around I saw a ghost child running down the cement steps

It ran towards me and it entered my body

I looked over to the monster I was surprised

I wasn’t looking at a monster anymore             130

I was looking at an old school In my heart I thought

This is where I earned my diploma of survival

I was looking at an old Residential School who

became my elder of my memories

I was looking at a tall building with four stories     135

stories of hope

stories of dreams

stories of renewal

and stories of tomorrow           139